By Richard Falk

 

 

‘Shame’ is a disturbing, much admired, Steve McQueen film that has been misleadingly reviewed, but deserves our serious attention. Let me put my reasoning in provocative language: ‘Shame’ depicts with chilling realism the degeneracy of high-end capitalist life style in the urban landscape of Sodom on the Hudson, otherwise known as ‘The Big Apple,’ that is, New York City. This sterile glitter of clubs and bars, loveless sexuality, acute alienation, and shady business operations is a city within the city that somehow co-exists with the world’s most innovative, abundant, and world class cultural life that continues to contain in its midst many enclaves of normalcy, humanism, and personal fulfillment. There is a central confusion in the film, perhaps deliberate: the city is portrayed as if it can be reduced to this skyscraper reality of nefarious business ventures and the flashy life it offers its operatives. Read More »